Discography

kaleidoscope-side-trips

Kaleidoscope
Side Trips
Epic BN 26304,
1967

First Kaleidoscope album , Max played uncredited bass on “Keep Your Mind Open” and “Please”. Also uncredited drummer Billy Mundy on “Please”. While a lot has been written about “Side Trips” almost nobody bought it (less than 1500 copies) and yet it’s material has never been out of print since the day it was issued- mostly thanks to Brits.   BEACON FROM MARS (remove song titles) – The second Kaleidoscope album, originally intended to be a double album was a total disaster. Because of the albums almost unheard-of for rock length in time the grooves on the record were actually about as small as the industry permitted, resulting in terrible low fidelity, particularly during the live portions of the recordings. Epic, sure it was signed onto a loser, pressed only 1500 copies of this album and over half were deejay or radio station freebies so it is fair to say almost none were sold. Finding a non deejay label of Beacon is not a likely occurrence. Again, thanks to the Brits most of this record has never been unavailable and even its deleted material was issued decades later. This is Max Buda’s official first outing. 
kaleidoscope-side-trips

Kaleidoscope
Side Trips
Epic BN 26304,
1967

First Kaleidoscope album , Max played uncredited bass on “Keep Your Mind Open” and “Please”. Also uncredited drummer Billy Mundy on “Please”. While a lot has been written about “Side Trips” almost nobody bought it (less than 1500 copies) and yet it’s material has never been out of print since the day it was issued- mostly thanks to Brits.   BEACON FROM MARS (remove song titles) – The second Kaleidoscope album, originally intended to be a double album was a total disaster. Because of the albums almost unheard-of for rock length in time the grooves on the record were actually about as small as the industry permitted, resulting in terrible low fidelity, particularly during the live portions of the recordings. Epic, sure it was signed onto a loser, pressed only 1500 copies of this album and over half were deejay or radio station freebies so it is fair to say almost none were sold. Finding a non deejay label of Beacon is not a likely occurrence. Again, thanks to the Brits most of this record has never been unavailable and even its deleted material was issued decades later. This is Max Buda’s official first outing. 
beacon-from-mars

Kaleidoscope
Beacon from Mars and other Psychedelic Side Trips

Epic BN 26333,
1968

I Found Out / Greenwood Sidee / Life Will Pass You By / Taxim / Baldheaded End of a Broom / Louisiana Man / You Don’t Love Me / Beacon from Mars
beacon-from-mars

Kaleidoscope

Beacon from Mars and other Psychedelic Side Trips

Epic BN 26333, 1968

I Found Out / Greenwood Sidee / Life Will Pass You By / Taxim / Baldheaded End of a Broom / Louisiana Man / You Don’t Love Me / Beacon from Mars

bacon-from-mars

Kaleidoscope
Bacon from Mars

Edsel XED 115,
1983

Egyptian Gardens / If the Night / Please / Keep Your Mind Open Pulsating Dream / Oh Death / Why Try / I Found Out / Life Will Pass You By / Lie to Me / Petite Fleur / Banjo / Cuckoo / Nobody Elevator Man / Hello Trouble
bacon-from-mars

Kaleidoscope
Bacon from Mars

Edsel XED 115, 1983

Egyptian Gardens / If the Night / Please / Keep Your Mind Open Pulsating Dream / Oh Death / Why Try / I Found Out / Life Will Pass You By / Lie to Me / Petite Fleur / Banjo / Cuckoo / Nobody Elevator Man / Hello Trouble

Kaleidoscope
Incredible!

Epic BN 26467, 1969

Incredible, the 3rd Kaleidoscope album sold (according to company claims) about 150,000 plus copies. “Incredible” achieved this by being forced down the throats of members of the “Columbia Record Club” as the rock category selection which was mailed to subscribers automatically if they didn’t make another choice in time. For one week Kaleidoscope actually charted in Billboard with this entry at #180 on the Top 200 albums List and disappeared immediately the following week as undoubtedly irate listeners mailed back their “selection” (which was allowed to an extent but the company was always counting on the nuisance factor). In general, probably the only Kaleidoscope album anyone would find in a used record bin. Max Buda makes guest appearances on harmonica here and plays a small amount of uncredited violin. 

Kaleidoscope
Incredible!

Epic BN 26467, 1969

Incredible, the 3rd Kaleidoscope album sold (according to company claims) about 150,000 plus copies. “Incredible” achieved this by being forced down the throats of members of the “Columbia Record Club” as the rock category selection which was mailed to subscribers automatically if they didn’t make another choice in time. For one week Kaleidoscope actually charted in Billboard with this entry at #180 on the Top 200 albums List and disappeared immediately the following week as undoubtedly irate listeners mailed back their “selection” (which was allowed to an extent but the company was always counting on the nuisance factor). In general, probably the only Kaleidoscope album anyone would find in a used record bin. Max Buda makes guest appearances on harmonica here and plays a small amount of uncredited violin. 

Kaleidoscope
Bernice

Epic BN 25508,
1970

BERNICE- A terrible album, made to try to put the group near the commercial mainstream. During its completion Solomon Feldthouse, the iconic lead singer and multi-instrumental virtuoso was “let go” from the group, resulting in total lack of focus and endless compromise which was “Bernice”. The enormous string section from the L.A. Philharmonic (uncredited) was one of the little production surprises charged to the group by the label on this outing which seemed like the group’s swan song . Max Buda makes harmonica appearances only on this album.

Kaleidoscope
Bernice

Epic BN 25508,
1970

BERNICE- A terrible album, made to try to put the group near the commercial mainstream. During its completion Solomon Feldthouse, the iconic lead singer and multi-instrumental virtuoso was “let go” from the group, resulting in total lack of focus and endless compromise which was “Bernice”. The enormous string section from the L.A. Philharmonic (uncredited) was one of the little production surprises charged to the group by the label on this outing which seemed like the group’s swan song . Max Buda makes harmonica appearances only on this album.

Kaleidoscope
Zabriskie Point

MGM SE 4668,
1970

Film soundtrack, includes two Kaleidoscope tracks, “Brother Mary” and “Mickey’s Tune.”
This soundtrack album did fairly well for MGM mostly due to the canny selections of bands by producer Don Hall- the Grateful Dead, Pink Floyd, John Fahey and last on board after all the others had recorded, the Kaleidoscope. The reviewers and anyone who has ever sat through the flick can tell you that it is incoherent and it stinks. The acting stinks, the dialogue stinks, and the whole thing is “directed” with no direction whatsoever. Odd how that parallels working on it. Initially brought in to “patch up” a few loose spots Kaleidoscope spent many hours at MGM making hours of music that was original while playing to the huge screen in a hangar-like studio. In particular the “orgy” scene (twelve minutes?) received quite a few passes at accompaniment. None of it was used. Instead, tiny tiny pieces of the two tracks on the album were used in the film, almost totally unnoticeable and shortened to mini-seconds. They were undoubtedly the least interesting or worth using moments recorded by the band. Fast forward about 35 years and I am contacted by someone now with MGM who wants to know about the project. I end up telling MGM that it has reams of material in the vaults of the Dead, Jerry Garcia and The Pink Floyd along with our stuff and what happens? They find and issue the Garcia/Dead stuff as a long-lost gem they have just found. I wait a year and contact them again. What about the original unissued Kaleidoscope material? Their response; we’ve no knowledge of any such thing what are you talking about? Great to know MGM has its head up its ass just as much as it did when MIKE CURB (what a buffoon!) was sitting in the head chair. In essence MGM told me try again every year because who knows what idiot may be in charge of what you’re asking about by then. Sound familiar?

Kaleidoscope
Zabriskie Point

MGM SE 4668,
1970

Film soundtrack, includes two Kaleidoscope tracks, “Brother Mary” and “Mickey’s Tune.”
This soundtrack album did fairly well for MGM mostly due to the canny selections of bands by producer Don Hall- the Grateful Dead, Pink Floyd, John Fahey and last on board after all the others had recorded, the Kaleidoscope. The reviewers and anyone who has ever sat through the flick can tell you that it is incoherent and it stinks. The acting stinks, the dialogue stinks, and the whole thing is “directed” with no direction whatsoever. Odd how that parallels working on it. Initially brought in to “patch up” a few loose spots Kaleidoscope spent many hours at MGM making hours of music that was original while playing to the huge screen in a hangar-like studio. In particular the “orgy” scene (twelve minutes?) received quite a few passes at accompaniment. None of it was used. Instead, tiny tiny pieces of the two tracks on the album were used in the film, almost totally unnoticeable and shortened to mini-seconds. They were undoubtedly the least interesting or worth using moments recorded by the band. Fast forward about 35 years and I am contacted by someone now with MGM who wants to know about the project. I end up telling MGM that it has reams of material in the vaults of the Dead, Jerry Garcia and The Pink Floyd along with our stuff and what happens? They find and issue the Garcia/Dead stuff as a long-lost gem they have just found. I wait a year and contact them again. What about the original unissued Kaleidoscope material? Their response; we’ve no knowledge of any such thing what are you talking about? Great to know MGM has its head up its ass just as much as it did when MIKE CURB (what a buffoon!) was sitting in the head chair. In essence MGM told me try again every year because who knows what idiot may be in charge of what you’re asking about by then. Sound familiar?

Kaleidoscope
When Scopes Collide

Pacific Arts
IALPS 9462,
1976

Personnel: Stuart Brotman, Chester Crill, Chris Darrow, Solomon Feldthouse, Paul Lagos, & David Lindley (appearing as “De Paris Letante.” Drummer John Ware guests on “You Never Can Tell.”
Ghost Riders in the Sky / Canun Tune / You Never Can Tell / Little Egypt / My Love Comes Softly / Your Love / Black and Tan Fantasy / Hard on the Trail / Stu’s Balkan Blues / Man Of Constant Sorrow / It’s Love You’re After / So Long

Kaleidoscope
When Scopes Collide

Pacific Arts IALPS 9462, 1976

Personnel: Stuart Brotman, Chester Crill, Chris Darrow, Solomon Feldthouse, Paul Lagos, & David Lindley (appearing as “De Paris Letante.” Drummer John Ware guests on “You Never Can Tell.”
Ghost Riders in the Sky / Canun Tune / You Never Can Tell / Little Egypt / My Love Comes Softly / Your Love / Black and Tan Fantasy / Hard on the Trail / Stu’s Balkan Blues / Man Of Constant Sorrow / It’s Love You’re After / So Long

Chris Darrow and Max Buda
Eye of the Storm

Takoma 7092,
1981

Slip and Side / BLT /Baja Nights / Vootie Moon / Phoney Baloney / Salsa Especial / Closeout / In the Tube/ Enchanted Isle/ Eye of the Storm

Chris Darrow and Max Buda
Eye of the Storm

Takoma 7092,
1981

Slip and Side / BLT /Baja Nights / Vootie Moon / Phoney Baloney / Salsa Especial / Closeout / In the Tube/ Enchanted Isle/ Eye of the Storm

Kaleidoscope

Greetings from Kartoonistan – We Ain’t Dead Yet

Gift Horse,
1990

Personnel: Stuart Brotman, Chester Crill, Chris Darrow, Solomon Feldthouse, & Paul Lagos.
Jungle Hop / Layla, Layla / Martians at the Window / Gitano Fino / African Market Place / Talk Talk / Wild Man / Down in Mexico / Klezmer Suite

Kaleidoscope

Greetings from Kartoonistan – We Ain’t Dead Yet

Gift Horse,
1990

Personnel: Stuart Brotman, Chester Crill, Chris Darrow, Solomon Feldthouse, & Paul Lagos.
Jungle Hop / Layla, Layla / Martians at the Window / Gitano Fino / African Market Place / Talk Talk / Wild Man / Down in Mexico / Klezmer Suite

Chris Darrow and Max Buda
Harem Girl

Taxim 2039
1998

Harem Girl / Reverie / The Harem-The Sultan / Not the Same Love / Chase / Flashing Steel / Sultan’s Dream / Going Home / Brave Hope / Harem Girl Reprise

Chris Darrow and Max Buda
Harem Girl

Taxim 2039
1998

Harem Girl / Reverie / The Harem-The Sultan / Not the Same Love / Chase / Flashing Steel / Sultan’s Dream / Going Home / Brave Hope / Harem Girl Reprise

Los Chumps
Pretty Girls Everywhere

Taxim 2013,
2004

Sissy Strut / Break Up / Pretty Girls Everywhere / Ramona / The Girl Can’t Help it / It’s Better to HAve and Not Need / Soul Twist / I’m Gonna Be a Wheel Someday / Mohair Sam / Have Love Will Travel / Sidewinder

Los Chumps
Pretty Girls Everywhere

Taxim 2013,
2004

Sissy Strut / Break Up / Pretty Girls Everywhere / Ramona / The Girl Can’t Help it / It’s Better to Have and Not Need / Soul Twist / I’m Gonna Be a Wheel Someday / Mohair Sam / Have Love Will Travel / Sidewinder

Max Buda and
the Rat Band

I’m English

Last Wave,
1979

Side A: I’m English
Side B: I’m English Instrumental
The incredibly rare single “I’m English” is rare for a good reason… it is almost impossible to listen to, due to Max’s hoarse frenetic screaming. Believe it or not this earpain was occasionally played (usually late nights) on Los Angeles FM station KROQ while punk was still sputtering forward and Hair Bands competed for airtime. The almost impossible to decipher words describe a talentless singer whose only claim to fame is that he’s a Brit and that is all that should be required. “I bought a guitar that I still cant play / As fame pursues me closer/ We made three tours of the U.S.A./ Each one was a bigger grosser!” Recorded as a demo it was released without Buda’s knowledge or cooperation and what copies were distributed were to stations and no doubt puzzled deejays.
Leonard-Cohen-Back

Leonard Cohen
The Songs of

Columbia  CS 9533

Suzanne / Master Song / Winter Lady / The Stranger Song / Sisters of Mercy / So Long, Marianne /  Hey, That’s No Way to Say Goodbye / Stories of the Street / Teachers / One of Us Cannot Be Wrong

Leonard Cohen
The Songs of

Columbia  CS 9533

Suzanne / Master Song / Winter Lady / The Stranger Song / Sisters of Mercy / So Long, Marianne /  Hey, That’s No Way to Say Goodbye / Stories of the Street / Teachers / One of Us Cannot Be Wrong

Cheapshot

Biggestits Records  BTR 001

Wooly Bully / Time Will Tell / My Old Pals / I Got You / Bringin’ it Back / House of Blue Lights /  Goin’ to New York / Heart of Saturday Night / Who Do You Love?

Cheapshot

Biggestits Records  BTR 001

Wooly Bully / Time Will Tell / My Old Pals / I Got You / Bringin’ it Back / House of Blue Lights /  Goin’ to New York / Heart of Saturday Night / Who Do You Love?

Bruce Palmer
The Cycle is Complete

Verve  FTS 3086

Alpha-Omega-Apocalypse Interlude / Oxo Calm Before the Storm
This is essentially the only album with the bulk of the last Kaleidoscope lineup… the one that never recorded an album although it worked up about an albums worth of material. Jeff Kaplan, Richard Aplanap, Paul Lagos and Max Buda were all part of the unit that made one last eastern U.S. tour in autumn 1970 along with bandleader David Lindley and bassist Ron Johnson ( who obviously couldn’t play bass on bassist Palmer’s debut recording). Buda’s assessment of the work – “bad acid jazz” has actually come up over the years. When he was interviewed by the producers of the reissue of this album for the liner notes he expressed astonishment that there was any interest in it at all. In reply to his questioning why he was being interviewed he was told because he was still alive (a standard interview feature). There are actually passing moments of interest on this unusual record, many involving exchanges between Aplanap on oboe and Buda’s violin plucking. An interesting failure.

Bruce Palmer
The Cycle is Complete

Verve  FTS 3086

Alpha-Omega-Apocalypse Interlude / Oxo Calm Before the Storm
This is essentially the only album with the bulk of the last Kaleidoscope lineup… the one that never recorded an album although it worked up about an albums worth of material. Jeff Kaplan, Richard Aplanap, Paul Lagos and Max Buda were all part of the unit that made one last eastern U.S. tour in autumn 1970 along with bandleader David Lindley and bassist Ron Johnson ( who obviously couldn’t play bass on bassist Palmer’s debut recording). Buda’s assessment of the work – “bad acid jazz” has actually come up over the years. When he was interviewed by the producers of the reissue of this album for the liner notes he expressed astonishment that there was any interest in it at all. In reply to his questioning why he was being interviewed he was told because he was still alive (a standard interview feature). There are actually passing moments of interest on this unusual record, many involving exchanges between Aplanap on oboe and Buda’s violin plucking. An interesting failure.

Winter Equinox

If they were not meant to fly, God would have given them roots.

Festival Records  FR 1007

Winter Equinox was a “small” film along the lines of similar surfing flicks of the time, but celebrated “freestyle” skiing at a time it was in its infancy. The soundtrack featured work from Dennis Dragon among others and a small number of tunes from the team of Chris Darrow and Max Buda. Together they were featured on the movie’s title and end tune “Ballad of Snowshoe Thompson” and each featured individually on tracks they wrote, Buda also soloing on a large orchestral number arranged by Richard Henn.

Winter Equinox

If they were not meant to fly, God would have given them roots.

Festival Records  FR 1007

Winter Equinox was a “small” film along the lines of similar surfing flicks of the time, but celebrated “freestyle” skiing at a time it was in its infancy. The soundtrack featured work from Dennis Dragon among others and a small number of tunes from the team of Chris Darrow and Max Buda. Together they were featured on the movie’s title and end tune “Ballad of Snowshoe Thompson” and each featured individually on tracks they wrote, Buda also soloing on a large orchestral number arranged by Richard Henn.

Vance or Towers

A&M SP-4551
1975

Do Whatever We Want / City Boy / Love Me Lady / Education Blues / Sunday Sky / The Presence of Her Absence / It’s Up to You / Over the Hill and Back / Don’t it Getcha / Drivin’ to Drinkin’ Scream Bloody Robbery

Vance or Towers

A&M SP-4551
1975

Do Whatever We Want / City Boy / Love Me Lady / Education Blues / Sunday Sky / The Presence of Her Absence / It’s Up to You / Over the Hill and Back / Don’t it Getcha / Drivin’ to Drinkin’ Scream Bloody Robbery

Corky Carroll
A Surfer for President

Casual Tuna 001

A Surfer for President / Tracks of Capistrano / Death by Disco / A Casual Look / Semi Gunn / Tan Punks on Boards / From Pizza Towers to Defeat / Jungle Morning / T-Town Saturday Night / Late Great California Blues

Corky Carroll
A Surfer for President

Casual Tuna 001

A Surfer for President / Tracks of Capistrano / Death by Disco / A Casual Look / Semi Gunn / Tan Punks on Boards / From Pizza Towers to Defeat / Jungle Morning / T-Town Saturday Night / Late Great California Blues

Corky Carroll and the Coolwater Casuals
Tan Punks on Boards

PAC45-103
1978

Tan Punks on Boards / From Pizza Towers to Defeat

Corky Carroll and the Coolwater Casuals
Tan Punks on Boards

PAC45-103
1978

Tan Punks on Boards / From Pizza Towers to Defeat

Curt Newbury
Half a Month of May Days

Verve/Forcast FTS 3087

S and C See Me / Christ, How Easy it Could Be / To Marcia / Highchair Blue / Lets Hang Some Pictures Tonight / Half a Month of May Days / Colonel Haygood / A Girl is Just Too Much / Maybe Summer Bells / Private Jackson Regrets

Curt Newbury
Half a Month of May Days

Verve/Forcast FTS 3087

S and C See Me / Christ, How Easy it Could Be / To Marcia / Highchair Blue / Lets Hang Some Pictures Tonight / Half a Month of May Days / Colonel Haygood / A Girl is Just Too Much / Maybe Summer Bells / Private Jackson Regrets